1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..  Related Paintings of Francisco de Zurbaran :. | Plato con limones cesta con naranjas y taza con una rosa | Saint Francis in Meditation | La circuncision | martyred hieronymite nun | Hl. Romanus und Hl. Barulas von Antiochien |
Related Artists:
Juan de Valdes Leal
Seville 1622-1690 was a Spanish painter of the Baroque era. He was born at Seville in 1622, and distinguished himself as a painter, sculptor, and architect. He worked for a time under Antonio del Castillo. Among his works are a History of the Prophet Elias for the church of the Carmelites; a Martyrdom of St. Andrew for the church of San Francesco at Cerdoba; and a Triumph of the Cross for la Caridad at Seville. He was one of the founders of the Seville Academy along with his friend, Bartolome Esteban Murillo. He died at Seville. His wife (daughter of Antonio Palomino), Isabella Carasquilla, was also a painter. She died at Seville as late as 1730. Their children were artists, including Lucas, Juan, Maria, and Laura de Valdes. His daughters specialized in portrait miniatures.
Tadeusz Ajdukiewicz
1852 in Wieliczka ?C January 9, 1916 in Krak??w) was a Polish painter. From 1868 to 1873, he followed Władysław Luszczkiewicz classes in the Fine art school of Krakow. Later, he was in Vienna and Munich and in J??zef Brandt's atelier. In 1877, he travelled to Paris and Near East. In 1882, he lived in Vienna, where he worked for the aristocracy. In 1883, he went to London, where he made Prince of Wales' portrait. In 1884, to Constantinople, he was sultan Abdhulhamid II's guest. And he woked later in Sofia, Saint Petersburg and Bucharest. He joined the Polish Legions in 1914, during World War I, and he died in one of the battles of this war. He's first cousin was Zygmunt Ajdukiewicz.
Francesco di Stefano called Pesellino
Florence ca 1422-1457